Photography : The Digital Photography Book, Volume 3

The Digital Photography Book, Volume 3

I'm starting to *think* I know what I'm doing when it comes to photography. I took that as a sign that I should go back to basics and learn from ground zero. I know from previous experience that Scott Kelby writes really impressive books (his Lightroom book, for example, is awesome), and this continues the same tradition.

The problem with learning photography in general is that it's intimidating. Most books will describe esoteric theory, and that drives most people nuts. If I'm any representation of a normal photographer, I'll look at a photo and go "that's awesome - how did they do that?" and want a nice example without having to dive into theory and other things. I just want to take the best pics possible that I can with what I have.

The layout of the book is rather simple - like a cookbook. There's a great photo, and then a description of how that photo was taken. The strength of each example is that it's not only easy to follow, but it explains enough theory for you to understand concepts and apply that in other situations. Most books don't do that - they'll tend to lose you on specifics.

Kelby's books are written with the beginner in mind and would even reach into those with intermediate skills. I don't think that seasoned professionals would learn much from these books, but they're worth their weight in gold. The Digital Photography book series is what I recommend to those who are interested in doing more with their cameras and photos. Not all of us can be professional photographers, but we can make our images look better than they are now.

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Painting : Ways of Seeing: Based on the BBC Television Series

Ways of Seeing: Based on the BBC Television Series

WAYS OF SEEING is a collection of seven essays. Three are pictorial; four are textual. All are about art, how art is seen, how it is valued, how it is used, and what we can learn from looking at art.

Of the textual essays, the first is about the mystification of art and history by its associations with assumptions and values that are not necessarily inherent in the work itself, but in its rarity, uniqueness, and commercial demand. He discusses art as being seen as an almost religious icon, and how the reproduction of images has contributed to the mystification of the original image.

The second textual essay is a study of women and how they are seen, who sees them, and how they see themselves being seen by others. It is Berger's critique of the Nude as an art form, and he argues that they place women as objects to be seen and desired and overpowered by men, the subject.

The third essay is about the tradition of oil paintings in Europe between 1500 and 1900. Berger explains the connections between the content of these paintings and the ownership of them as a symbol of affluence, as products of capitalism and the maintenance of the status quo.

The fourth essay has to do with publicity, or advertisement, and the reference that such images make to oil paintings, sexual attractiveness, and dissatisfaction with the current state of life (the promise of a better future, given that you buy something).

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Other Media : Ways of Seeing: Based on the BBC Television Series

Ways of Seeing: Based on the BBC Television Series

thirty years on, 'Ways of Seeing' continues to be a major primary textbook, not just for those studying or interested in fine art, but in any of the humanities from literature to cinema. You can see the appeal for lecturers - difficult but essential theorists such as Benjamin and Barthes are explained with bite-size lucidity, even if this sometimes has the effect of caricaturing their work. As Geoff Dyer has noted, much of the impetus given to Cultural Studies, the critical/academic form of post-modernism, can be traced to Berger's TV series and this book: many of the questions raised and areas for study pinponted have generated a whole academic industry.

In seven chapters, Berger assaults the traditional bastions of art 'appreciation', with its obfuscating jargon, elitist interests and, most damagingly, its insistence on timeless, non-'historical' values. three of these essays are text-free, image-based, and Berger claims all the essays can be read independently and in any order, as part of the process of 'deconstructing' the apparatus of art criticism that includes laying bare the mechanics, manipulations and limitations of his arguments, and undermining the very idea of coherent authorship by suggesting the name 'John Berger' signifies a five-piece collective.

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Instructional and How-To : Thinking with Type: A Critical Guide for

Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students (Design Briefs)

This is a well-structured and well-written text with refreshing examples from a wide range of designers. These examples reinforce the concept that successful design and typography come from critical thinking and that there is no one style or approach that is "correct."

I plan to require this book in the undergraduate typography class I teach, but because it is accessible even to a novice, I'd recommend it to anyone with an interest in type. One of the strengths of the book is its succinctness, but that may be one flaw as well. When a book is so well done, you want more... (Fortunately there is a website which does have supporting materials for those who want more.) Also if you want a meaty book on the specifics of type, then you should also get Robert Bringhurst's phenomenal book "The Elements of Typographic Style." It pairs so well with the overview and examples from Lupton's book.

It is a terrific value and well-produced.

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Fashion : The Sartorialist

The Sartorialist: (Bespoke Edition)

It's hard to justify buying this book. Although beautifully photographed with characteristically interesting subjects, these images have already been shown on The Sartorialist blog and Schuman's GQ page. I imagined more of a big, glossy volume and at least a little bit of new photography (instead of new photos, though, there is some caption-style writing). But as it turns out, the book's size is really fantastic, as is the use of thick matte paper. It's also very well priced, so generally speaking my disappointment comes from the expectation of new material.

Schuman is a talented photographer and may be the pioneer of street-style blogs, but he isn't as talented as some of his peers. For example, the French photographer Garance Dore is much more skilled in photography, which may be related to her artistic background as an illustrator. She has a more developed eye for representing beautiful things (rather than just recognizing them), so even though her subjects are more or less the same as Schuman's her photos are much more satisfying to look at.

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