Other Media : Ways of Seeing: Based on the BBC Television Series

Ways of Seeing: Based on the BBC Television Series

thirty years on, 'Ways of Seeing' continues to be a major primary textbook, not just for those studying or interested in fine art, but in any of the humanities from literature to cinema. You can see the appeal for lecturers - difficult but essential theorists such as Benjamin and Barthes are explained with bite-size lucidity, even if this sometimes has the effect of caricaturing their work. As Geoff Dyer has noted, much of the impetus given to Cultural Studies, the critical/academic form of post-modernism, can be traced to Berger's TV series and this book: many of the questions raised and areas for study pinponted have generated a whole academic industry.

In seven chapters, Berger assaults the traditional bastions of art 'appreciation', with its obfuscating jargon, elitist interests and, most damagingly, its insistence on timeless, non-'historical' values. three of these essays are text-free, image-based, and Berger claims all the essays can be read independently and in any order, as part of the process of 'deconstructing' the apparatus of art criticism that includes laying bare the mechanics, manipulations and limitations of his arguments, and undermining the very idea of coherent authorship by suggesting the name 'John Berger' signifies a five-piece collective.

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Instructional and How-To : Thinking with Type: A Critical Guide for

Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students (Design Briefs)

This is a well-structured and well-written text with refreshing examples from a wide range of designers. These examples reinforce the concept that successful design and typography come from critical thinking and that there is no one style or approach that is "correct."

I plan to require this book in the undergraduate typography class I teach, but because it is accessible even to a novice, I'd recommend it to anyone with an interest in type. One of the strengths of the book is its succinctness, but that may be one flaw as well. When a book is so well done, you want more... (Fortunately there is a website which does have supporting materials for those who want more.) Also if you want a meaty book on the specifics of type, then you should also get Robert Bringhurst's phenomenal book "The Elements of Typographic Style." It pairs so well with the overview and examples from Lupton's book.

It is a terrific value and well-produced.

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Fashion : The Sartorialist

The Sartorialist: (Bespoke Edition)

It's hard to justify buying this book. Although beautifully photographed with characteristically interesting subjects, these images have already been shown on The Sartorialist blog and Schuman's GQ page. I imagined more of a big, glossy volume and at least a little bit of new photography (instead of new photos, though, there is some caption-style writing). But as it turns out, the book's size is really fantastic, as is the use of thick matte paper. It's also very well priced, so generally speaking my disappointment comes from the expectation of new material.

Schuman is a talented photographer and may be the pioneer of street-style blogs, but he isn't as talented as some of his peers. For example, the French photographer Garance Dore is much more skilled in photography, which may be related to her artistic background as an illustrator. She has a more developed eye for representing beautiful things (rather than just recognizing them), so even though her subjects are more or less the same as Schuman's her photos are much more satisfying to look at.

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Drawing : Meggs' History of Graphic Design

Meggs' History of Graphic Design

Now in its Fourth Edition, this unrivaled, seminal work continues its long tradition of providing balanced insight and thorough historical background. Under the new authorial leadership of Alston Purvis, this authoritative book offers more than 450 new images, along with expansive coverage of such topics as Italian, Russian, and Dutch design. It reveals a saga of creative innovators, breakthrough technologies, and important design innovations.

A significant attempt at a comprehensive history of graphic design...it will be an eye-opener not only for general readers, but for designers who have been unaware of their legacy. -- The New York Times

With this book, Meggs made it easier for designers to envision their work in terms of history. The final pages of each edition attempt to put young designers into historical context, perhaps before their influence can be accurately assessed. Although some may argue that it's an effort to control history rather than report it, this book makes for a lively debate. A History of Graphic Design, now in its third edition, stands as a monumental contribution to the field. -- Critique Magazine, Pamela Williams, Spring 1997

In my opinion, this 3rd Edition "A History of GD" is the best reference book written about graphic design. This 500 plus pages book/bible is simply divided into 5 sections, 1) The Prologue to Graphic Design, 2) A Graphic Rennaissance, 3) The Industrial Revolution, 4)The Modernist Era, and 5) The Age of Information. The topics range from the invention of writing to, creation of new typogrphic styles to, the digital revolution and computer art. There are plenty of graphics and photos on every page to accompany the wonderfully written text. If you study art history or graphic design, I think this would be a great reference book to have. It will take some time to read the entire book. But this is like a text book, so, reading only part of the chapters would be quite informative as well. Once you are done, you will definitely appreciate graphic design/graphic designers.

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Design and Decorative Arts : Thinking with Type: A Critical Guide for

Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students (Design Briefs)

The organization of letters on a blank sheet -- or screen -- is the most basic challenge facing anyone who practices design. What type of font to use? How big? How should those letters, words, and paragraphs be aligned, spaced, ordered, shaped, and otherwise manipulated? In this groundbreaking new primer, leading design educator and historian Ellen Lupton provides clear and concise guidance for anyone learning or brushing up on their typographic skills. Thinking with Type is divided into three sections: letter, text, and grid. Each section begins with an easy-to-grasp essay that reviews historical, technological, and theoretical concepts, and is then followed by a set of practical exercises that bring the material covered to life. Sections conclude with examples of work by leading practitioners that demonstrate creative possibilities (along with some classic no-no's to avoid).

Personally, this has probably been the most influental design book that I own. I felt like I was a better designer after having read half of it, without once touching my mac. i just knew that what I had absorbed was going to come out in my work, and it did. The book takes an overview look at design, and speaks in plain english about many things that I've heard or dealt with. But catagorizes stuff and explains things in a fluid manner so that the different bits of information come together and make sense. It is good for the novice and the struggling self taught. Full of great examples. It's too elementary for the serious designer. But for someone who did not go to Design School, but now works with design, its the perfect basic "education in a book".

This book and some of the other books from the Design Briefs series, have become an integral part of my working resource library. Ellen Lupton's book has been one that I have used over and over again. I often reference it when I am faced with a blank page that I am having a hard time laying out.

The section on typography, the largest section of the book, was a very interesting read. I enjoyed learning about the history of printing and typography. Beginning designers will appreciate the categorizing of typefaces. This leads into the discussion of electronic typesetting and the limitations and challenges that has created for designers.

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